Filmmaking is my craft and my passion. I’m driven by storytelling and a constant curiosity for new technologies—always looking for the most effective way to bring ideas to life.
I believe every strong visual piece starts with a compelling story. Whether it’s a 30-second commercial, a music video, or a feature film, the principle remains the same: if the story works, the film works.
I grew up in Germany and spent as a teenager countless hours reading, researching, inventing my own stories, and visualizing them—through model-making, set design, or character drawing. At the time, my parents traveled extensively for work, and I often accompanied them, which allowed me to meet a wide variety of people in many different places around the world. Through my parents, I gained early insight into the music “backstage” world and at this time I decided to pursue my career path.
I moved from Hamburg to my town of birth, Budapest and became a student at the Budapest Film Academy. From that moment, my life increasingly revolved around filmmaking. I had the privilege of learning from outstanding mentors, teachers, and masters, to join a fantastic community and after four years I graduated in Directing and Cinematography. During my early university years, I co-founded a production company with other young and talented directors and cinematographers. Within a short time, we became active players in both the Hungarian and international music video and commercial production scene. We were doing the right things at the right time.
This is where I developed my “end-to-end” production mindset: from concept to execution, we write, shoot, and handle post-production on our projects, always taking the client’s needs into account. I observe every project from multiple perspectives and strive for the highest possible quality. It’s essential to me to understand as many key roles in filmmaking as possible, allowing me to better feel the needs and expectations of my collaborators.
Editing, color grading, VFX, and all other aspects of post-production are fundamental pillars of filmmaking. I started offline editing in 1999—first with Final Cut Pro, continuing with Premiere Pro, and now working with DaVinci Resolve—while also collaborating with other editors.
I have also scored as a composer on several commercial projects, although in today’s fast-paced environment I only apply this skill when timing and budget allow.
Last but not least, photography—the foundation of visual storytelling—has once again become an integral part of my professional work over the past decade, thanks to the needs of one of my long-term clients.
I have work across a wide range of formats, including commercials, branded content, music videos, documentaries, and digital campaigns. We all live in a fast-changing, visually demanding environment where high-quality content is expected regardless of scale or budget. That’s exactly the challenge that keeps me motivated.
Feel free to check some of my works on this website.